A couple of transitions, from the mental space of the bright and colorful Wonderlands to the fluorescent bowels of a crippled spacecraft, quickly establish the idea that everyone is role-playing to pass the time until they’re rescued. In case story matters to you - and if it does, you might be in the wrong department - Tiny Tina’s Wonderlands puts the player in a pencil-and-paper campaign under the direction of Tina, the adolescent munitions expert introduced in Borderlands 2, leering behind the DM’s screen. When the franchise debuted that autumn, Gears of War creator Cliff Bleszinski hailed Borderlands as “ Diablo for a generation raised on first-person shooters.” Thirteen years later, they’ve perfected that vision by giving the franchise a richly detailed, high fantasy veneer, inside a canonically consequence-free science-fiction wrapper.
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It’s also a refreshing reintroduction to the things that made Borderlands such a personal obsession for me back in 2009. If you want curated lists of our favorite media, check out What to Play and What to Watch.
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